Czech plug-in developers Audified, known for their meticulous recreations of rare outboard equipment, have teamed up with DWe (Drum Workshop Electronics) to create a new drum-focused processor. Designed to speed up your workflow when processing drums, the Drum Enhancer has specifically designed parameters designed simplify and speed up working with drum and percussive sounds.
Stream my new track ‘Mackerel Sky’, from my forthcoming LP ‘Traversing Timelines’ on Frequency Domain.
London – Feb 9th (LIVE)
Rendlesham (U.S. Air Force base) – Feb 17th (DRONE)
Norwich – March 2nd (DJ)
Berlin – March 29th (LIVE)
Manchester – May 4th (LIVE)
West Ireland – May 11/13 (LIVE)
Prague – June 15/17 (LIVE)
These are all confirmed, although there should be more to add in the near future! If you would like to book me in 2018, please use the contact form.
2017 was a quiet year for me in terms of gigs, as I’d shifted my focus onto some studio and sync projects. Anyway, this is looking to change next year.
I’m currently writing a hefty new Luke’s Anger live set which has more bounce to the ounce 😮 and will be touring it in 2018!
Already got some tasty bookings around Europe + beyond, which I’ll announce in the new year. If you want to get in on the action, use the contact form and lets chat ya!
Peace and hair grease!
I first learnt about Don Buchla and his synthesiser designs when studying the work of Morton Subotnik whilst at university in 2003 and the alien timbres of ‘Silver Apples On The Moon’ (1967) has stuck with me ever since.
Eventide return with another one of their great algorithms lifted from the H9 effects pedal. I first came across the MangledVerb in their Space pedal. It combined nice distortion with strange modulated reverb tails, I actually always preferred this algorithm to the more famous ‘Black Hole’ setting also on the Space and H9 pedals. This is part of a series of plug in releases from the aforementioned H9 pedal (you can see my UltraTap review here)
I wouldn’t call myself a mastering engineer by trade, although I have mastered a lot of tracks for different labels and artists over the years and continue to do so. I also taught audio mastering for a number of years at a higher education college. So I have a fairly good handle on what sounds good to my ears and how various tools are used for the process of enhancing audio, in the digital domain at least.
Final tracks are off to mastering 😲 I can now reveal the front cover art for my forthcoming 2×12″ LP on Dead Bison – a new sister label of Hypercolour/ Glass Table focusing on soundtracks & synth music. Can’t wait to share some audio.. sooooon x